Sea Shanty (with triads)
Writing for the piano using triads
Writing for violin and cello
The Ground Bass idea
Composing a melody above a Ground Bass
The Galliard example
Galliard example of building a melodic fragment into a 16 bar tune
Creating Galliard melodies from chord clusters
The Pavane example
Some stimuli for creating a Pavane melodic idea
Some stimuli for creating a solo melody (Galliard)
Theme and variations I, II, III
Variations IV, V, VI, VII
Variation VIII (a)
Variation VIII (b)
Variation IX
Variation X (a)
Variation X (b)
Little Jack Horner
Three ways to create a tune for a song
Writing for violin and cello
Theme and variations I, II, III
Variations IV, V, VI, VII
Variation VIII (a)
Variation VIII (b)
Variation IX
Variation X (a)
Variation X (b)
The Ground Bass idea
The Ground Bass with variations
Sea Shanty (melody)
Sea Shanty (with triads)
Writing for the piano using triads
Example of the 12-bar Blues
Examples of String Quartet (1st movement)
Examples of String Quartet (2nd movement)
Examples of String Quartet (3rd movement)
Examples of String Quartet (4th movement)
Examples of writing for Jazz Band
Example of the 12-bar Blues
Examples of writing for Jazz Band
Ensemble Book Part Two
Examples of how to create melodies for soprano voice
How to add colour to the vocal entries
Working with different vocal entries
Ensemble Book Part Three
Some examples of how to create your first movement
Some examples of how to create your second movement
Some examples of how to create your fourth movement
Some examples of how to create your third movement
Deluxe Puzzle Book
Puzzle Book Part One
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